Christopher Tolkien

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    The Hobbit Or, There and Back Again

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    This deluxe edition of J.R.R. Tolkien’s classic prelude to his Lord of the Rings trilogy contains a short introduction by Christopher Tolkien, a reset text incorporating the most up-to-date corrections, and all of Tolkien’s own drawings and full-color illustrations, including the rare “Mirkwood” piece. J.R.R. Tolkien’s own description for the original edition: “If you care for journeys there and back, out of the comfortable Western world, over the edge of the Wild, and home again, and can take an interest in a humble hero (blessed with a little wisdom and a little courage and considerable good luck), here is a record of such a journey and such a traveler. The period is the ancient time between the age of Faerie and the dominion of men, when the famous forest of Mirkwood was still standing, and the mountains were full of danger. In following the path of this humble adventurer, you will learn by the way (as he did) — if you do not already know all about these things — much about trolls, goblins, dwarves, and elves, and get some glimpses into the history and politics of a neglected but important period. For Mr. Bilbo Baggins visited various notable persons; conversed with the dragon, Smaug the Magnificent; and was present, rather unwillingly, at the Battle of the Five Armies. This is all the more remarkable, since he was a hobbit. Hobbits have hitherto been passed over in history and legend, perhaps because they as a rule preferred comfort to excitement. But this account, based on his personal memoirs, of the one exciting year in the otherwise quiet life of Mr. Baggins will give you a fair idea of the estimable people now (it is said) becoming rather rare. They do not like noise.”

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    Beowulf

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    New York Times bestseller

    “A thrill . . . Beowulf was Tolkien’s lodestar. Everything he did led up to or away from it.” —New Yorker
     
    J.R.R. Tolkien completed his translation of Beowulf in 1926: he returned to it later to make hasty corrections, but seems never to have considered its publication. This edition includes an illuminating written commentary on the poem by the translator himself, drawn from a series of lectures he gave at Oxford in the 1930s.
     
    His creative attention to detail in these lectures gives rise to a sense of the immediacy and clarity of his vision. It is as if Tolkien entered into the imagined past: standing beside Beowulf and his men shaking out their mail-shirts as they beach their ship on the coast of Denmark, listening to Beowulf’s rising anger at Unferth’s taunting, or looking up in amazement at Grendel’s terrible hand set under the roof of Heorot.
     
    “Essential for students of the Old English poem—and the ideal gift for devotees of the One Ring.” —Kirkus

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    The Fall of Gondolin

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    “An essential historical reference for Middle-earth fans” (Entertainment Weekly), The Fall Of Gondolin is the final work of J.R.R. Tolkien’s Middle-earth fiction, completing Christopher Tolkien’s life-long achievement as the editor and curator of his father’s manuscripts.

    In the Tale of The Fall of Gondolin are two of the greatest powers in the world. There is Morgoth of the uttermost evil, unseen in this story but ruling over a vast military power from his fortress of Angband. Deeply opposed to Morgoth is Ulmo, second in might only to Manwë, chief of the Valar.

    Central to this enmity of the gods is the city of Gondolin, beautiful but undiscoverable. It was built and peopled by Noldorin Elves who, when they dwelt in Valinor, the land of the gods, rebelled against their rule and fled to Middle-earth. Turgon King of Gondolin is hated and feared above all his enemies by Morgoth, who seeks in vain to discover the marvellously hidden city, while the gods in Valinor in heated debate largely refuse to intervene in support of Ulmo’s desires and designs.

    Into this world comes Tuor, cousin of Túrin, the instrument of Ulmo’s designs. Guided unseen by him Tuor sets out from the land of his birth on the fearful journey to Gondolin, and in one of the most arresting moments in the history of Middle-earth the sea-god himself appears to him, rising out of the ocean in the midst of a storm. In Gondolin he becomes great; he is wedded to Idril, Turgon’s daughter, and their son is Eärendel, whose birth and profound importance in days to come is foreseen by Ulmo.

    At last comes the terrible ending. Morgoth learns through an act of supreme treachery all that he needs to mount a devastating attack on the city, with Balrogs and dragons and numberless Orcs. After a minutely observed account of the fall of Gondolin, the tale ends with the escape of Túrin and Idril, with the child Eärendel, looking back from a cleft in the mountains as they flee southward, at the blazing wreckage of their city. They were journeying into a new story, the Tale of Eärendel, which Tolkien never wrote, but which is sketched out in this book from other sources.

    Following his presentation of Beren and Lúthien Christopher Tolkien has used the same ‘history in sequence’ mode in the writing of this edition of The Fall of Gondolin. In the words of J.R.R. Tolkien, it was ‘the first real story of this imaginary world’ and, together with Beren and Lúthien and The Children of Húrin, he regarded it as one of the three ‘Great Tales’ of the Elder Days.

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    The Lays of Beleriand

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    Tales told through the ages of quests and curses, enduring love and immeasurable tragedy

    “The power of Tolkien’s central characters—tragic, cursed Túrin; the lovers Beren and Lúthien—shines through.”—Library Journal

    Gathering together two of the most crucial stories in Tolkien’s world—those of Túrin, a hero living under a ruinous family curse, and Lúthien, an elven princess whose love for a mortal man is mirrored ages later in Arwen and Aragorn—The Lays of Beleriand sheds light on the creation of the mythology of Middle-earth.

    Journey through darkness with Túrin Turambar as he searches for his long-missing father in The Lay of the Children of Húrin, and join Beren and Lúthien on their quest to cut a Silmaril from Morgoth’s crown in The Lay of Leithian. Both narratives appear here in alliterative verse and are accompanied by Christopher Tolkien’s commentary on the evolution of the history of the Elder Days. Also included is critical analysis by C. S. Lewis of The Lay of Leithian.

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    The Shaping of Middle-Earth

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    Poems and prose, maps and chronologies, detours and diversions along the road to Middle-earth . . . Christopher Tolkien has gathered archival materials that his late father, J. R. R. Tolkien, used to create the world and the history behind his classic stories.

    This fourth volume of The History of Middle-earth presents early versions of those first tales, from the creation myth to the fall of Morgoth. Writings include a chronology of the events in Beleriand, the first Silmarillion map, and the only known description of the physical nature of Middle-earth’s universe. Detailed annotations highlight changes ranging from the spelling of Elvish names to pivotal emendations whose effects reach even to the war of the ring.

    The Shaping of Middle-earth presents a solid framework by which to trace the development of the early lore of Middle-earth. It is a truly indispensable reference work for those familiar with the history of that endlessly beloved land—and fascinating reading for those just entering that world.

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    The Children of Húrin

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    J.R.R. Tolkien’s The Children of Húrin is one of the three ‘Great Tales’ of the Elder Days. This paperback edition includes eight color paintings by renowned Tolkien illustrator Alan Lee and a black-and-white map.The Children of Húrin is the first complete book by Tolkien since the 1977 publication of The Silmarillion. Six thousand years before the One Ring is destroyed, Middle-earth lies under the shadow of the Dark Lord Morgoth. The greatest warriors among elves and men have perished, and all is in darkness and despair. But a deadly new leader rises, Túrin, son of Húrin, and with his grim band of outlaws begins to turn the tide in the war for Middle-earth—awaiting the day he confronts his destiny and the deadly curse laid upon him.

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