4 3 2 1$11.99 Add to cart
* * * Shortlisted for the Man Booker Prize * * *
Named a Best Book of the Year by The Washington Post, The New York Times Book Review,
NPR, The Globe and Mail, Kirkus Reviews, Huffington Post, and The Spectator UK
“An epic bildungsroman . . . . Original and complex . . . . A monumental assemblage of competing and complementary fictions, a novel that contains multitudes.”—Tom Perrotta, The New York Times Book Review
“A stunningly ambitious novel, and a pleasure to read. . . . An incredibly moving, true journey.”—NPR
New York Times Bestseller, Los Angeles Times Bestseller, Boston Globe Bestseller, National Indiebound Bestseller
Paul Auster’s greatest, most heartbreaking and satisfying novel—a sweeping and surprising story of birthright and possibility, of love and of life itself.
Nearly two weeks early, on March 3, 1947, in the maternity ward of Beth Israel Hospital in Newark, New Jersey, Archibald Isaac Ferguson, the one and only child of Rose and Stanley Ferguson, is born. From that single beginning, Ferguson’s life will take four simultaneous and independent fictional paths. Four identical Fergusons made of the same DNA, four boys who are the same boy, go on to lead four parallel and entirely different lives. Family fortunes diverge. Athletic skills and sex lives and friendships and intellectual passions contrast. Each Ferguson falls under the spell of the magnificent Amy Schneiderman, yet each Amy and each Ferguson have a relationship like no other. Meanwhile, readers will take in each Ferguson’s pleasures and ache from each Ferguson’s pains, as the mortal plot of each Ferguson’s life rushes on.
As inventive and dexterously constructed as anything Paul Auster has ever written, yet with a passion for realism and a great tenderness and fierce attachment to history and to life itself that readers have never seen from Auster before. 4 3 2 1 is a marvelous and unforgettably affecting tour de force.
Auggie Wren’s Christmas Story$11.99 Add to cart
A timeless, utterly charming Christmas fable, beautifully illustrated and destined to become a classic
When Paul Auster was asked by The New York Times to write a Christmas story for the Op-Ed page, the result, “Auggie Wren’s Christmas Story,” led to Auster’s collaboration on a film adaptation, Smoke. Now the story has found yet another life in this enchanting illustrated edition with Argentine artist Isol.
It begins with a writer’s dilemma: he’s been asked by The New York Times to write a story that will appear in the paper on Christmas morning. The writer agrees, but he has a problem: How to write an unsentimental Christmas story? He unburdens himself to his friend at his local cigar shop, a colorful character named Auggie Wren. “A Christmas story? Is that all?” Auggie counters. “If you buy me lunch, my friend, I’ll tell you the best Christmas story you ever heard. And I guarantee every word of it is true.”
And an unconventional story it is, involving a lost wallet, a blind woman, and a Christmas dinner. Everything gets turned upside down. What’s stealing? What’s giving? What’s a lie? What’s the truth? It’s vintage Auster, and pure pleasure: a truly unsentimental but completely affecting tale.
Sunset ParkAdd to cart
Luminous, passionate, expansive, an emotional tour de force
Sunset Park follows the hopes and fears of a cast of unforgettable characters brought together by the mysterious Miles Heller during the dark months of the 2008 economic collapse.
An enigmatic young man employed as a trash-out worker in southern Florida obsessively photographing thousands of abandoned objects left behind by the evicted families.
A group of young people squatting in an apartment in Sunset Park, Brooklyn.
The Hospital for Broken Things, which specializes in repairing the artifacts of a vanished world.
William Wyler’s 1946 classic The Best Years of Our Lives.
A celebrated actress preparing to return to Broadway.
An independent publisher desperately trying to save his business and his marriage.
These are just some of the elements Auster magically weaves together in this immensely moving novel about contemporary America and its ghosts. Sunset Park is a surprising departure that confirms Paul Auster as one of our greatest living writers.
Man in the DarkAdd to cart
A new novel with a dark political twist from “one of America’s greats.”*
Man in the Dark is Paul Auster’s brilliant, devastating novel about the many realities we inhabit as wars flame all around us.
Seventy-two-year-old August Brill is recovering from a car accident in his daughter’s house in Vermont. When sleep refuses to come, he lies in bed and tells himself stories, struggling to push back thoughts about things he would prefer to forget—his wife’s recent death and the horrific murder of his granddaughter’s boyfriend, Titus. The retired book critic imagines a parallel world in which America is not at war with Iraq but with itself. In this other America the twin towers did not fall and the 2000 election results led to secession, as state after state pulled away from the union and a bloody civil war ensued. As the night progresses, Brill’s story grows increasingly intense, and what he is so desperately trying to avoid insists on being told. Joined in the early hours by his granddaughter, he gradually opens up to her and recounts the story of his marriage. After she falls asleep, he at last finds the courage to revisit the trauma of Titus’s death.
Passionate and shocking, Man in the Dark is a novel of our moment, a book that forces us to confront the blackness of night even as it celebrates the existence of ordinary joys in a world capable of the most grotesque violence.
*Time Out (Chicago)
In the Country of Last ThingsAdd to cart
From the author of the forthcoming 4 3 2 1: A Novel – a spare, powerful, intensely visionary novel about the bare-bones conditions of survivalIn a distant and unsettling future, Anna Blume is on a mission in an unnamed city of chaos and disaster. Its destitute inhabitants scavenge garbage for food and shelter, no industry exists, and an elusive government provides nothing but corruption. Anna wades through the filth to find her long-lost brother, a one-time journalist who may or may not be alive.New York Times-bestselling author Paul Auster (The New York Trilogy) shows us a disturbing Hobbesian society in this dystopian, post-apocalyptic novel.
I Thought My Father Was GodAdd to cart
One of America’s foremost writers collects the best stories submitted to NPR’s popular monthly show–and illuminates the powerful role storytelling plays in all our lives
When Paul Auster and NPR’s Weekend All Things Considered introduced The National Story Project, the response was overwhelming. Not only was the monthly show a critical success, but the volume of submissions was astounding. Letters, emails, faxes poured in on a daily basis- more than 4,000 of them by the time the project celebrated its first birthday. Everyone, it seemed, had a story to tell.
I Thought My Father Was God gathers 180 of these personal, true-life accounts in a single, powerful volume. They come from people of all ages, backgrounds, and walks of life. Half of the contributors are men; half are women. They live in cities, suburbs, and rural areas, and they come from 42 different states. Most of the stories are short, vivid bits of narrative, combining the ordinary and the extraordinary, and most describe a single incident in the writer’s life. Some are funny, like the story of how a Ku Klux Klan member’s beloved dog rushed out into the street during the annual KKK parade and unmasked his owner as the whole town looked on. Some are mysterious, like the story of a woman who watched a white chicken walk purposefully down a street in Portland, Oregon, hop up some porch steps, knock on the door-and calmly enter the house. Many involve the closing of a loop, like the one about the woman who lost her mother’s ashes in a burglary and recovered them five years later from the mortuary of a local church.
Hilarious blunders, wrenching coincidences, brushes with death, miraculous encounters, improbable ironies, premonitions, sorrows, pains, dreams-this singular collection encompasses an extraordinary range of settings, time periods, and subjects. A testament to the important role storytelling plays in all our lives, I Thought My Father Was God offers a rare glimpse into the American soul.
The Invention of SolitudeAdd to cart
From Paul Auster, author of the forthcoming 4 3 2 1: A Novel – his very first book, a moving and personal meditation on fatherhood
This debut work by New York Times-bestselling author Paul Auster (The New York Trilogy), a memoir, established Auster’s reputation as a major new voice in American writing. His moving and personal meditation on fatherhood is split into two stylistically separate sections. In the first, Auster reflects on the memories of his father who was a distant, undemonstrative, and cold man who died an untimely death. As he sifts through his Father’s things, Auster uncovers a sixty-year-old murder mystery that sheds light on his father’s elusive character. In the second section, the perspective shifts and Auster begins to reflect on his own identity as a father by adopting the voice of a narrator, “A.” Through a mosaic of images, coincidences, and associations “A,” contemplates his separation from his son, his dying grandfather, turning the story into a self-conscious reflection on the process of writing.
Hand to MouthAdd to cart
This is the story of a young man’s struggle to stay afloat. By turns poignant and comic, Paul Auster’s memoir is essentially an autobiographical essay about money–and what it means not to have it. From one odd job to the next, from one failed scheme to another, Auster investigates his own stubborn compulsion to make art and describes his ingenious, often far-fetched attempts to survive on next to nothing. From the streets of New York City and Paris to the rural roads of upstate New York, the author treats us to a series of remarkable adventures and unforgettable encounters and, in several elaborate appixes, to previously unknown work from these years.
Collected PoemsAdd to cart
This celebratory volume gives us the entire career of Donald Justice between two covers, including a rich handful of poems written since New and Selected Poems was published in 1995. Winner of the Pulitzer Prize, Justice has been hailed by his contemporary Anthony Hecht as “the supreme heir of Wallace Stevens.” In poems that embrace the past, its terrors and reconciliations, Justice has become our poet of living memory. The classic American melancholy in his titles calls forth the tenor of our collective passages: “Bus Stop,” “Men at Forty,” “Dance Lessons of the Thirties,” “The Small White Churches of the Small White Towns.” This master of classical form has found in the American scene, and in the American tongue, all those virtues of our literature and landscape sought by Emerson and Henry James. For half a century he has endeavored, with painterly vividness and plainspoken elegance, to make those local views part of the literary heritage from which he has so often taken solace, and inspiration.
School Letting Out
(Fourth or Fifth Grade)
The afternoons of going home from school
Past the young fruit trees and the winter flowers.
The schoolyard cries fading behind you then,
And small boys running to catch up, as though
It were an honor somehow to be near—
All is forgiven now, even the dogs,
Who, straining at their tethers, used to bark,
Not from anger but some secret joy.